When This Scene Ends, No One Will Applaud

Questions go here   "Although what you're about to see is a work of fiction, it should nevertheless be played at maximum volume."

Emilia: mouthy New York City scorpio who likes causing scenes in public places, Tarantino movies, Robert Smith, The Mighty Boosh, Star Wars, Vladimir Nabokov, the New York Dolls, & Doctor Who.

twitter.com/_factorygirl:

    nycartscene:

Feb 26 - June 11:
CINDY SHERMAN
MoMA, 11 W53rd St., NYC (6th Floor - Tisch Gallery)
Bringing together more than 170 photographs, this retrospective survey traces the artist’s career from the mid 1970s to the present. Highlighted in the exhibition are in-depth presentations of her key series, including the groundbreaking series “Untitled Film Stills” (1977–80), the black-and-white pictures that feature the artist in stereotypical female roles inspired by 1950s and 1960s Hollywood, film noir, and European art-house films; her ornate history portraits (1989–90), in which the artist poses as aristocrats, clergymen, and milkmaids in the manner of old master paintings; and her larger-than-life society portraits (2008) that address the experience and representation of aging in the context of contemporary obsessions with youth and status. The exhibition will explore dominant themes throughout Sherman’s career, including artifice and fiction; cinema and performance; horror and the grotesque; myth, carnival, and fairy tale; and gender and class identity. Also included are Sherman’s recent photographic murals (2010), which will have their American premiere at MoMA.
(MoMA member preview Feb 22)

    nycartscene:

    Feb 26 - June 11:

    CINDY SHERMAN

    MoMA, 11 W53rd St., NYC (6th Floor - Tisch Gallery)

    Bringing together more than 170 photographs, this retrospective survey traces the artist’s career from the mid 1970s to the present. Highlighted in the exhibition are in-depth presentations of her key series, including the groundbreaking series “Untitled Film Stills” (1977–80), the black-and-white pictures that feature the artist in stereotypical female roles inspired by 1950s and 1960s Hollywood, film noir, and European art-house films; her ornate history portraits (1989–90), in which the artist poses as aristocrats, clergymen, and milkmaids in the manner of old master paintings; and her larger-than-life society portraits (2008) that address the experience and representation of aging in the context of contemporary obsessions with youth and status. The exhibition will explore dominant themes throughout Sherman’s career, including artifice and fiction; cinema and performance; horror and the grotesque; myth, carnival, and fairy tale; and gender and class identity. Also included are Sherman’s recent photographic murals (2010), which will have their American premiere at MoMA.

    (MoMA member preview Feb 22)

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      I HAVE TO GO TO THIS!!
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      Hoping I can hop on a plane on the evening after I graduate, make it to NYC on...all...
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      im so excited T_T
    14. sfmoma reblogged this from nycartscene and added:
      Can’t wait for...come to SFMOMA this summer!
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      MY BEEZIES BESTA GO
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